And with apologies to the talented cast of Kenneth Branagh’s 2017 version, Albert Finney, Sean Connery, Lauren Bacall, and Ingrid Bergman bring heaps more star power than Branagh, Willem Dafoe, Penélope Cruz, and Daisy Ridley.
Sidney Lumet was an inspired choice as director, given the more contemporary crime movies he made during the same period, Serpico and Dog Day Afternoon. The original film adaptation of Agatha Christie’s classic mystery novel about members of the landed class stranded on a snowbound train who are lucky enough to have Hercule Poirot (Albert Finney), the world’s greatest detective, aboard when murder breaks out.
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The movie makes beautiful use of the Spanish and Italian countryside and the extended climax featuring Messerschmitts attacking the train as it hurtles over a mountain pass is as exciting and technically accomplished as anything in the genre. Nazis capture the escaped soldiers and put them on a POW train to Berlin, but of course Ol’ Blue Eyes commandeers the train from their captors.įrom there, it’s a race to Switzerland, with Ryan and his men having to outwit and outfight the Germans at every turn. More WWII train action! This handsomely mounted production stars Frank Sinatra as an American air colonel, Joseph Ryan, who finds himself leading an Allied escape from an Italian prison camp alongside a skeptical English officer (Trevor Howard) who questions his leadership. He brings every ounce of his muscular charisma to a movie that delivers realistic war action and thoughtful themes about the value of art and culture vs. Lancaster is about as convincing a Frenchman as Peter Sellers doing Inspector Clouseau in the Pink Panther movies, (and at least Sellers attempts a French accent). Though made in 1964, the movie’s high contrast black and white photography gives it a timeless feel, as does the use of beautiful old locomotives from the pre-War era. The Train (1964)ĭirector John Frankenheimer’s forgotten masterpiece is a tough, gritty piece of work starring Burt Lancaster as a French resistance fighter who attempts to stop a Nazi Colonel (Paul Scofield) from looting France’s great art works and sending them by train to Berlin. Like all the early Bond films, the movie is shot in glorious Technicolor, which makes the Turkish locations look especially stunning. Much of the action takes place on the Orient Express (yes, that one) and features Bond trying to outwit and outmuscle the SPECTRE assassin, Red Grant (a bleached blonde Robert Shaw), while shaking and stirring up a romance with Tatiana Romanova (Daniela Bianchi, also very blonde) who may or may not be a Soviet spy.įrom Russia with Love is one of the few Bond films that depend more on plot than action for its storytelling effects, allowing the train scenes especially to unfold with rare leisure.
Often considered among the best James Bond films - including by actors who have played Bond - From Russia with Love is a subdued and elegant affair, at least by Bond standards. The most expensive silent film ever, The General became the template from which every action comedy has sprung. Keaton the actor stars as a Confederate railroad engineer who becomes embroiled in a Civil War plot that gives Keaton the director excuses to stage amazing train chases that include crashing a real locomotive into a river - surely an inspiration for the similar scene in The Bridge on the River Kwai. The General (1926) United Artistsīuster Keaton’s silent epic (co-directed with Clyde Bruckman) was not a hit during it day, but has since become considered one of the greatest of all films, not least because of the incredible action choreography that has influenced generations of filmmakers including George Miller and his Mad Max films. Below we celebrate ten classics set aboard locomotives. Sleek, modern, containing multiple human stories simultaneously, and thundering toward a final destination, trains have a lot in common with movies. Perhaps audiences are drawn to these films because trains are inherently cinematic.
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